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Morrison,His Place in History

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XtremeOne1 View Drop Down
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  Quote XtremeOne1 Quote  Post ReplyReply Direct Link To This Post Posted: 20-Jan-2011 at 7:28am
Originally posted by Blackcyclops

I think you misinterpreted me (or maybe I didn't say it clearly enough...probably that one LOL), I wasn't blaming Jean beyond the fact that they grew apart. That's it. Like you said they grew apart, they both are at fault for them drifting apart. But it is Cyclops that chose to do the psychic affair. Never said it was Jean

What I was saying is that you brought up excuse and I was saying that as a fan of Jean would see anything Morrison presented as being used as an excuse. I wasn't saying it was an excuse. I brought up making her a victim because I felt that just as Cyclops should have been man enough to say something, taking pity on Jean like she's powerless (not in the sense of actual power but in control of her life) makes her a victim in my eyes. I hope that makes sense LOL

I thought they had one psychic affair, when did he keep cheating? And did they make out on her grave or just kiss? I don't have the issues on hand, I'm purchasing the TPB and reading them.




I happened multiple times. It definitely happened twice on panel. And I think it was implied it happened more than that too.

And yes they kissed over her grave, I was over-exaggerating with the making out but kissing over your recently deceased wife/life long friends grave is just gross.


Edited by XtremeOne1 - 20-Jan-2011 at 7:29am

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  Quote Savant Quote  Post ReplyReply Direct Link To This Post Posted: 20-Jan-2011 at 7:41am
I like the run overall but I also agree with a lot of Xtreme's criticism. Morrison's writing would have benefitted from a strong editor. At times, he does go too far into Grant Morrison land and the characters just feel like they are along for the ride, squeezed into the roles he wanted them to play rather than the roles that fit the characters' past experiences and personalities.
 
I love that he broke up Cyclops/Jean, but I think he was clumsy about it. Cyclops was just too mean and dismissive; the Apocalyspe influence explanation just fell by the wayside. He seemed to hate Beast lol. I still wonder why he felt the need to give Emma her secondary mutation, it just doesn't seem all that important except to allow her to survive Genosha's attack..
 
I think Jean's final line that everyone has commented upon was cringe-worthy. It's the sort of line i would imagine Morrison thinking up months in advance and believing it was just a beautiful, meaningful line. So he scripted it while forgetting that the cardinal rule of writing is to say what you write outloud to see if it's fluidic enough to work. On the page, ugh.
 
And like QD, I kinda love the Stepford Cuckoos, even if they make zero sense.
 
The run also suffered (or benefitted depending on your glass) from a mix of great to terrible art. Igor Kordey ruined every issue he touched, ugh.
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  Quote JanO Quote  Post ReplyReply Direct Link To This Post Posted: 20-Jan-2011 at 8:24am

I must say that I'm quite pleased by the fact that most people here seem to dislike the Morrisson era.

It's been said before, but here it is:
 
Morrisson's X-Men was a Morrisson book, not an X-Men book. He changed everything to suit HIS vision, his ideas, no matter how outlandish they were or how little sense they made. Almost every chapter in the run is littered with nonsense that had no place being published in the first place or at thew very least was just really bad. A smattering of examples:
 
Beak, Angel & The Special Class: Here is a bunch of totally non-sensical mutations, yet Morrisson feels the need to spotlight them.
Scott-Jean-Emma: The whole thing was just non-sensical, in that it came out of nowhere, and there was no reason for the characters to act the way they did.
Magneto = Xorn: Can someone pleaswe point out to me how this was suposed to make ANY sense on ANY level?
Cassandra Nova: I still don't get what she is, how she is, who she is and what the point was.
Xavier's Memories: Jean STORED them in HER brain and loads of other brains?
Mutant Town: While it was explained to me how the demographics COULD fit (I believe it was Ciel, a few years back), I still think that a whole CULTURE just springing up overnight was insane.
Genosha's Destruction: A bunch of GIGANTIC dead-machines just destroy the island? Millions of mutants could not stop that? And best of all, off-panel for the most part?
 
So there you have it:
Introducing ridicullous concepts (Mutant-culture, Cassandra Nova, The World)
Introducing Insane characters (Xorn, Beak, Angel, Phantomex)
Disregard for characterisation (Scott, Jean, Emma, bassically everyone)
Disregard for Continuity (see characterisation, mutant culture, X-team)
Ridiculous use of powers (Jean, Xavier)
 
And then, most damning of all, he just HAD to leave his lasting mark, by killing Jean, destroying Magneto (thank GOD for the retcon) and forever mutilating Scott's character.
 
Nope, time hasn't mellowed me at all regarding this abortion of a book!
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  Quote Blackcyclops Quote  Post ReplyReply Direct Link To This Post Posted: 20-Jan-2011 at 9:19am
i'm surprised you dislike it so much JanO but don't hate Brubaker or Fraction...or Whedon...

I would think that many fans of the X-Kids would be at least happy that Morrison actually moved the X-Men to doing something with the whole "dream". Since essentially actually turned them back into a school instead of a training ground for more guerrilla fighters. I mean when was the last time pre-Morrison the X-Men went out to recruit? Most of the 90s members joined by accident (Bishop) or joined due to nefarious purposes (Joseph). The Outback recruits joined kinda randomly. I guess Rogue would count, but she came to the X-Men. So what Dazzler and Kitty? Would they be the last actual instance of the X-Men (X-Factor originally did do some recruiting) going out and seeking a new mutant to help with their powers?

Edited by Blackcyclops - 20-Jan-2011 at 9:26am
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  Quote JanO Quote  Post ReplyReply Direct Link To This Post Posted: 20-Jan-2011 at 10:16am
Brubaker, Fraction & Whedon made their marks, I cannot deny that, but ALL of them worked with what was there, and continued from that point.
 
Whedon's story was a return to Claremont X-Men, still using the new concepts, but at least making Cyclops likable, delivering the definetive Kitty and acknowledging Emma's past. I didn't like his use of Cassandra Nova, but the rest was solid.
 
Brubaker is a writer of BIG stories, so I expected some major event. His introduction of X-Men 1.5 didn't contradict anything we knew and loved, it just continued the trend of breaking down the saintlyness of Xavier, which is all good. The Shi'ar story was just great, and also fit well with established concepts.
 
Fraction's big thing is Utopia of course, and that was a logical out-flow of the Decimation, Messiah and Dark Reign. Again, big stuff happening, but nothing that just blew up overnight.
 
All three of these kept the characters in character, or at least continued trends that were allready established. This is not to argue which is better, but to show how the WAM-BAM changes for the sake of change in Morrisson's run were very different.
 
BTW, BC: The New Mutants were the last recruits, and after that the school was basically abandoned.


Edited by JanO - 20-Jan-2011 at 10:17am
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  Quote Guests Quote  Post ReplyReply Direct Link To This Post Posted: 20-Jan-2011 at 10:20am
Morrison definitely suffered from a huge art disparity. While he had some great artists, the general lack of consistency even within the arcs basically made Marvel transition from the "regular artist with occasional fill in issue" to "two artists rotate every arc". An even greater example of the influence of his run. But I do think the work of Quitely, Jimenez and Silvestri will go down as classic.
 
This is a totally seperate thread, but I really don't understand the hate of Brubaker. He wrote perfectly good comics that focused on a select amount of characters. Even if his run didn't interest you, it's certainly not complaint-worthy (unless you didn't like Messiah Complex, and who didn't?).
 
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  Quote JanO Quote  Post ReplyReply Direct Link To This Post Posted: 20-Jan-2011 at 10:33am
Quitely IS very much an acquired taste. His work is not very compatible with main-stream-comics, so I can understand why people dislike it. Silvestri is pretty great, but he did 4 issues?
 
Jimenez IS, WAS and ALWAYS WILL BE a poor man's Perez. He does all of the crazy detail and stuff, but none of the dynamics or power/emotion. It's a guy doing his little trick, nothing more, nothing less.
 
And let's not forget Bachelo, who had his own issues to screw up during this run, shall we? Ol' chris was in full-blown "What-the-f**k-am-I-looking-at" mode, making the allready vague and insane concept of The World even more incomprehensible.....
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  Quote Lorr Quote  Post ReplyReply Direct Link To This Post Posted: 20-Jan-2011 at 11:46am
I often wondered if those who didn't like Morrisons run for continuity reasons might like it more if it was a standalone story like Kingdom Come, Dark Knight Returns, All Star Superman and such. 
 Because as much as I like Morrisons run, it doesn't fit with the other books that were released before during and after his time on the books. 

Those DC stories I mentioned have diddily squat to do with the ongoing narrative in the comics of the characters involved, but are often sited as some of the best stories featuring those characters.  I think of New X-men that way as well and basically treat it as a standalone series.  Would that make inconsistencies with the characters more tolerable? Or is the story just not appealing as an overall narrative?
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  Quote UncannyScott Quote  Post ReplyReply Direct Link To This Post Posted: 20-Jan-2011 at 2:29pm
What JanO, and I think X-Treme too earlier, said is one of the problems. Morrison doesn't write the X-Men or Batman or Superman. He writes Morrison books staring the X-Men or Batman. Bring up strange things that you dont' expect or wont' carry on for the next, and actually do make the stories sometimes feel like standalone Kingdom Come like stories that Lorr just mentioned. Besides the small things that remain from New X-Men, you almost could swear that it was something that was it's own story outside of continuity.

With the ideas of Morrison's that actually moved the X-Men forward again like returning to the school idea and all the kid mutants, bigger population, X-Men actually working towards the dream in a way, etc they would have been better coming from him as a consultant for the X-Line. Him offering the ideas and others executing them. Cause it was the other stuff like characterization and crazy plots that came around those ideas that really seem to ruin that time period for a lot of people. I really think that Marvel did the wrong thing after his run though. They held it well for a bit with Academy X and such, carrying on the idea of the school and there being more mutants out there. But then they tried to wipe out everything that came from the run with Decimation. With the loss of all those mutants at the start of Morrison's run, after he left they easily could have kept there being a bigger mutant population but had it not be that huge.

Don't know about the Brubraker hate either Ajandrew. Besides Deadly Genesis and the flimsy Vulcan being the third Summers, He told some good stories. Even though I don't like Vulcan much I liked the Shi'ar arc a lot. Same with the Morlock one.
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  Quote Blackcyclops Quote  Post ReplyReply Direct Link To This Post Posted: 20-Jan-2011 at 2:39pm
Wow, that's interesting to hear people say because All-Star Superman is considered by many (and I'm not talking the fringe internet fans like us but from sales figured, interviews, and awards) to be one of the best Superman stories ever. So its funny to hear people say he doesn't write a Superman story lol...

Yes the art was awful up until Here Comes Tomorrow.I hate Quietly's art...just hate it.

I do find it also interesting how many X-fans Morrison brought back to the X-Men. I mean let's be honest you had to be a real trooper (or masochists lol) to endure ALL the 90s X-Men stuff and a lot of people tapered off around AoA (Legion mom rape probably). So its strange to see so much harsh criticism of his run when its credited with so much.
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  Quote UncannyScott Quote  Post ReplyReply Direct Link To This Post Posted: 20-Jan-2011 at 3:24pm
I think what really helped All-Star Superman was that it was an alternate reality story, setting it apart from the regular continuity. It wasn't like New X-Men or current Batman being compared to what came right before and what came after (which we haven't seen for Batman just yet but probably will soon enough). All-Star Superman comes off as a good 'Superman' story to most non uber fans or newcomers to the character besides media portrayals.

The art was pretty bad indeed. As for Morrison bring back X-Fans, the scope of some of his ideas like the bigger population or such seemed intriguing compared to how the steady 90's were. It sounded like change and big things and no doubt worked to hook people in to check it out which in a way shows their plan worked in a sense. Cause they threw out the bait and fans grabbed on, and after that it's sort of hard to let go once you are hooked. It's like the current stuff, people don't like certain things but in some cases keep reading cause it's hard to let go for that collector's sense some have or on the other hand that hope that things will turn around if you just keep reading. Same with Morrison. People got reeled in and then either actually liked the stories or just kept hoping it would end soon or turn out better.
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  Quote RingOtaku Quote  Post ReplyReply Direct Link To This Post Posted: 20-Jan-2011 at 5:32pm
Originally posted by JanO

I must say that I'm quite pleased by the fact that most people here seem to dislike the Morrisson era.

It's been said before, but here it is:
 
Morrisson's X-Men was a Morrisson book, not an X-Men book. He changed everything to suit HIS vision, his ideas, no matter how outlandish they were or how little sense they made. Almost every chapter in the run is littered with nonsense that had no place being published in the first place or at thew very least was just really bad. A smattering of examples:
 
Beak, Angel & The Special Class: Here is a bunch of totally non-sensical mutations, yet Morrisson feels the need to spotlight them.
Scott-Jean-Emma: The whole thing was just non-sensical, in that it came out of nowhere, and there was no reason for the characters to act the way they did.
Magneto = Xorn: Can someone pleaswe point out to me how this was suposed to make ANY sense on ANY level?
Cassandra Nova: I still don't get what she is, how she is, who she is and what the point was.
Xavier's Memories: Jean STORED them in HER brain and loads of other brains?
Mutant Town: While it was explained to me how the demographics COULD fit (I believe it was Ciel, a few years back), I still think that a whole CULTURE just springing up overnight was insane.
Genosha's Destruction: A bunch of GIGANTIC dead-machines just destroy the island? Millions of mutants could not stop that? And best of all, off-panel for the most part?
 
So there you have it:
Introducing ridicullous concepts (Mutant-culture, Cassandra Nova, The World)
Introducing Insane characters (Xorn, Beak, Angel, Phantomex)
Disregard for characterisation (Scott, Jean, Emma, bassically everyone)
Disregard for Continuity (see characterisation, mutant culture, X-team)
Ridiculous use of powers (Jean, Xavier)
 
And then, most damning of all, he just HAD to leave his lasting mark, by killing Jean, destroying Magneto (thank GOD for the retcon) and forever mutilating Scott's character.
 
Nope, time hasn't mellowed me at all regarding this abortion of a book!


Have I mentioned lately that you are one of my favorite people on here JanO? You and BC which is really making this topic fun. FAMILY FEUD!
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  Quote marhawkman Quote  Post ReplyReply Direct Link To This Post Posted: 20-Jan-2011 at 6:08pm
Genosha's Destruction: A bunch of GIGANTIC dead-machines just destroy the island? Millions of mutants could not stop that? And best of all, off-panel for the most part?
single dumbest idea he ever had.
 
Sure he(or was it a different writer) came up with a few neat plot ideas following it, but the execution was absurd....  MAGNETO, and a few HUNDRED Acolytes couldn't stop the ginormous wild sentinel? Yeah, f-ing right....

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  Quote QDLux29 Quote  Post ReplyReply Direct Link To This Post Posted: 20-Jan-2011 at 6:08pm
I'm still unsure of how Mutant Town & a developing of Mutant Culture is so ridiculous? Don't all minority groups usually ghettoize themselves (or are in fact forced into a ghetto) and develop their own Culture around themselves and their neighborhood? I mean, have you been to a major city? Why is it so ridiculous? How does this balk established continutity? I mean if we can have Six-Month gaps and ridiculous power switches, then the popularity of a small corner of NYC which a lot of Mutants have settled in just doesn't seem to be that 'Insane'.

As for "Insane" characters....I find that the more weird a powerset and look the more interesting a character can be. I mean, mutants (which 'randomly' occur) can't all be the beautiful model types that the X-Verse is full of. I liked Basilisk, Ernst and the Special Class. Of course Xorneto would target these freaks as they were even outsiders amoungst their student peers.
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  Quote RingOtaku Quote  Post ReplyReply Direct Link To This Post Posted: 20-Jan-2011 at 7:06pm
The problem with Mutant Town and the Mutant Culture is instead of Morrison slowly introducing these concepts over the course of his run and showing the RISE of such a social sub-culture he just flipped a switch. There was no statement in continuity to the effect of "okay yeah we are skipping a year or so here during which all this came about". It was like "barely enough mutants who aren't costumed peeps to fill a Mutant Town" to "so many we can do this and STILL pick and choose to fill out the school to capacity." There was no explanation given for why the population suddenly skyrocketed and formed these cultures and it was implied to have happened basically overnight.
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  Quote Blackcyclops Quote  Post ReplyReply Direct Link To This Post Posted: 20-Jan-2011 at 7:33pm
About the Mutant Town stuff...did we pre-Morrison ever have a count of the mutants in the world? I mean when Magneto took Genosha he had a huge population of mutants then...I do think an actual statement of a time gap would have been nice.
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  Quote marhawkman Quote  Post ReplyReply Direct Link To This Post Posted: 20-Jan-2011 at 7:44pm
the way I understood the "Mutant Town" concept is that these individuals had peiced together their lives behind the scenes and we were being introduced to the result.

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  Quote XtremeOne1 Quote  Post ReplyReply Direct Link To This Post Posted: 20-Jan-2011 at 7:53pm
Originally posted by Blackcyclops

About the Mutant Town stuff...did we pre-Morrison ever have a count of the mutants in the world? I mean when Magneto took Genosha he had a huge population of mutants then...I do think an actual statement of a time gap would have been nice.


The thing is he had SIX MILLION MUTANTS on that island. That's on Genosha alone.

I really had no problem with Morrison making mutants 'the next step of evolution' and a minority in their own right, it was just how he handled it that bothered me. It just didn't feel organic in the least.


Edited by XtremeOne1 - 20-Jan-2011 at 8:06pm

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  Quote Blackcyclops Quote  Post ReplyReply Direct Link To This Post Posted: 20-Jan-2011 at 8:05pm
Originally posted by marhawkman

the way I understood the "Mutant Town" concept is that these individuals had peiced together their lives behind the scenes and we were being introduced to the result.



That's how I saw it too. I mean again the X-Men had spent so much time just being superheroes that alot of mutant politics were happening without them being involved. I mean outside the situation with Genosha and Magneto...what other story showed the X-Men being these beacons of progressive mutants? Most of the time during the 90s they just fought bad guys who were trying to either take over the world or exterminate mutants. Not saying thats bad, far from it, but it's not impossible for something like Mutant Town to come about without the X-Men really noticing.

But Xtreme has a point, that was a huge jump. I just don't remember pre-Morrison there every being a time when someone spoke on the mutant potential.
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  Quote Guests Quote  Post ReplyReply Direct Link To This Post Posted: 20-Jan-2011 at 8:55pm
Originally posted by UncannyScott


With the ideas of Morrison's that actually moved the X-Men forward again like returning to the school idea and all the kid mutants, bigger population, X-Men actually working towards the dream in a way, etc they would have been better coming from him as a consultant for the X-Line. Him offering the ideas and others executing them.
 
Don't know about the Brubraker hate either Ajandrew. Besides Deadly Genesis and the flimsy Vulcan being the third Summers, He told some good stories. Even though I don't like Vulcan much I liked the Shi'ar arc a lot. Same with the Morlock one.
 
Two opinions: 1) Morrison's ideas are his own, and they were great. As stated before, they invigorated the franchise after the 90s. 2) Morrison's dialogue, IMO, is great also. It's been stated that not a single line is wasted in meaning. Having someone else script would be a mistake.
 
And I totally forgot about Deadly Genesis. I could see why someone would hate Brubaker for that, but I liked it. I still don't understand why people complained about his Shi'ar run, though, but then again, I read it in trade format.
 
@BC: I always thought the bad part of the 90s came after AoA, like once Onslaught came into play. Isn't that where everyone jumped off?
 
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  Quote UncannyScott Quote  Post ReplyReply Direct Link To This Post Posted: 20-Jan-2011 at 9:02pm
The problem with the numbering is that even with Morrison he never really quantified the number. Sixteen million people were wiped out on Genosha, but it never said if that was all mutants. People just went with that number and then since it said half the mutant population was wiped out (could have been like three million mutants there, meaning 6 million in the world or something, who knows lol) people then went on to assume from that there had been 32 million mutants around the world. Morrison or the editors never really came out and clarified the amount of mutants there really were till they decimated them.

With Mutant Town I can see something like that, one area of a huge city, sort of having been growing in the background and then suddenly the human residents going and looking around with a "Oh sh*t where did they all come from?" having been wrapped up in their own lives and noticing the gradual change. The 90's pretty much focused on the X-Men at the mansion and fighting big threats to mutants as a whole or the world. They didn't really get around and check no how mutants around the city were doing or fighting for their rights or such.

While there were a lot of mutants on Genosha, a lot having been those infected with the Legacy Virus that Magneto offered safe haven to and then being cured by Colossus' sacrifice, far as I recall back there were still a lot of humans there too. Some antagonistic and some friendly to mutants. And the mutates and such. While the idea of mutants growing to be more than just a handful either being X-Men or their enemies was a good thing, it didn't really work all too well cause it was a sudden increase and such. Perhaps they figured we were to assume that a lot of those children were around the same age and their mutant powers popped up during the six month gap....as stupid as that would be lol.
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  Quote XtremeOne1 Quote  Post ReplyReply Direct Link To This Post Posted: 20-Jan-2011 at 9:11pm
Again with mutant town, I liked the idea and it made sense to me, it was the popping out from nowhere and the fact that I really don't think it added much to Morrison's story besides in making mutants 'cool. But for it's origin, I saw it as mutants started to move in, humans thought "well there goes the neighborhood" so they moved out. 

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  Quote Blackcyclops Quote  Post ReplyReply Direct Link To This Post Posted: 20-Jan-2011 at 10:06pm
Would that be called Flatscan flight? The superpowered cousin of white flight lol
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  Quote XtremeOne1 Quote  Post ReplyReply Direct Link To This Post Posted: 20-Jan-2011 at 10:29pm
Originally posted by Blackcyclops

Would that be called Flatscan flight? The superpowered cousin of white flight lol


Haha pretty much. I mean that's basically how I believe it happened. It's like "Oh no the mutants are here. Well there goes the value of our home! Gotta protect the children or they'll be tainted. We aren't safe!"

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  Quote Blackcyclops Quote  Post ReplyReply Direct Link To This Post Posted: 20-Jan-2011 at 10:34pm
And that's something that could have been presented by Morrison. One of the flaws I do see with Morrison's run, is that Morrison expects a lot from the readers. Now I'm always for a writer giving fans the credit of being intelligent. But Morrison expects us to be okay with a very big tonal shift in the book without at least showing how it came about. I mean I liked the small scenes we got that showed mutant culture but he could have used the students he created to at least talk about the growth of the mutant online community or so on...

One issue we have even discussed alot yeah is his handling of Beast and the Shi'ar. Morrison did a lot of things to Beast that I think translated to his later treatment by writers. In many ways Morrison abused Beast. As for the Shi'ar, I think he too carelessly touched on that aspect of the X-world. I know not alot of people on here like the X-Men in space but I always have a special space in my heart for the Shi'ar, and Morrison just kinda nonchalantly addressed it without really giving me that true feel of the Shi'ar...
"And someone's mom wants to eat all their souls. As a mom, I was offended. Moms should get to be role models, too."-Savant
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