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UNX Book Club: We the Living

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sixhoursoflucy View Drop Down
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  Quote sixhoursoflucy Quote  Post ReplyReply Direct Link To This Post Topic: UNX Book Club: We the Living
    Posted: 12-Apr-2011 at 9:44pm
Welcome to the UNX Book Club discussion of Ayn Rand’s We the Living. I suggested we read this book back in November mainly because Kipe snatched up some controversial quote from Ms. Rand and threw it into his sig (also, someone at work was using the book as a doorstop, so it was convenient for me to rescue, borrow and read it). Anyway, the quote Kipe posted, ostensibly from We the Living, was "What are your masses but mud to be ground underfoot, fuel to be burned for those who deserve it?" Pretty shocking quote, if you ask me, especially coming from a woman I admire as much as Rand; after all, it seems to run counter to the "live and let live" philosophy evident in her later works, like The Fountainhead and Atlas Shrugged. I wanted to know the which character in the novel spoke these words, and in what context.

Turns out, the edition of We the Living I read didn’t have that line at all. In fact, most modern editions of the book don’t! It wasn’t hard to identify the passage where the quote should have been when I encountered it, because the tone was similar; that particular line was just missing. A little bit of research reveals that Rand excised a few sentences from the book during its second printing, which says something about her evolving ideals. As it pertains to the UNX Book Club, however, it seems this whole endeavor was for nothing—unless someone else’s edition had it.

That’s not to say I didn’t enjoy the book, because I did, and very much so. I was talking to a friend the other day about recommending books and how we’re both so often loath to do so, since one’s enjoyment of a book can be tied up with the particular place the reader is in at that point in his of her life. This subjective element may be why I connected with this book as much as I did. To be brief, I read this little story last November, a period during which I was hopelessly enamored with a guy who with self-destructive tendencies, much like the character Leo. During this same time period, I went into my high-stress job each day hoping I wouldn’t get fired and have to move back home. These factors made it easy for me to identify with Kira. Rand instills her writing with such a passion for life that it became comforting ritual each day to spend time with her and Kira. My life wasn’t great, but I fought bitterly to make it better, and that hope for the future gave it meaning.

I wouldn’t say this is a great book, though. It drags at times and isn’t as philosophically compelling as Rand’s other novels. However, it does have its moments of enticing philosophical glimmer. My favorite occurs when Kira asks Andrei if he believes in God. He says he doesn’t, and Kira tells him that she doesn’t either—and that it was actually an upside-down question to discern whether or not he believes in life. She goes on to say that anyone who believes in God cannot truly believe in life, explaining it like this: "Because, you see, God—whatever one chooses to call God—is one’s highest conception of the highest possible. And whoever places his highest conception above his own possibility thinks very little of himself and his life. It's a rare gift, you know, to feel reverence for your own life and to want the best, the greatest, the highest possible, here, now, for your very own. To imagine a heaven and then not to dream of it, but to demand it." I don't know what I could possibly say to add to the liberating simplicity of that passage.

Other memorable moments include Kira’s line about not wanting to be part of any movement but just wanting the freedom to live her life. I also loved when, while attending a Communist rally, she stated that the Communist Party’s anthem would make a great funeral dirge. And, finally, I think it was bold that she made the novel’s true male lead a member of the very Communist Party that Rand—and Kira—so loathes. The revolutionary Leo ends up being a deadbeat, but Kira has enough sense to see a similar joie de vivre in Andrei, the man who should be her sworn enemy. They say that opposites attract but this relationship would make the case that, sometimes, perceived “opposites” are not opposite at all, but fundamentally the same.

Did anyone else read the book? If so, I look forward to your snarky insights.
“Let the ruling classes tremble at a Communist revolution. The proletarians have nothing to lose but their chains.”
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  Quote Savant Quote  Post ReplyReply Direct Link To This Post Posted: 27-Apr-2011 at 8:23pm

Cher: Would you call me selfish?

Dionne: No, not to your face.
 
My subjective impressions of We the Living are informed by two things. First, I think the text stands as the best answer to critics accusing Rand of hating women; Kira and Irina are more perceptive, heroic and intelligent than the men surrounding them and they stand out in a pragmatic way from even the better known Dagny Taggart, who while impressive in her own right, is still overshadowed by you know who. 
 
Second, I read Essays on Ayn Rand's We the Living a while back, a collection of shorter critical works exploring Rand's first novel. I highly recommend it for those with an interest in Rand's work. It gives a lot of background information about the book, in addition to commentary about the text's subjects and themes. Rand struggled to publish this text and the publisher who gave her a contract only ordered a limited number of copies. After Rand's success with The Fountainhead and Atlast Shrugged, We the Living was republished in greater quantity. Rand reworked the book some before that second publication, leading to the aforementioned excised quotation.
 
To me, this book captures the struggle between the individual and the masses. All three major characters: Kira, Andrei and Leo, are exceptional individuals who are ultimately quashed by the masses. That understanding of the book best explains the otherwise unlikable Leo character in a manner that allows for Kira to love him as much as she does. Leo is like a tree that can't bend in the wind; instead, he breaks. Kira sees him as the man he could have been, rather than the man he is, and she recognizes that the cause of that tragic transformation is the communist system.
 
But Rand makes that point even better in the case of Andrei, I think. Even as a member of the party, Andrei cannot find satisfaction b/c he isn't blinded by the propaganda. He is drawn to Kira b/c he recognizes that she embodies something that should be, but is not. And he is one of the masses who becomes the mud that is ground underfoot.
 
And that leads me back to the quotation. I think it could be read in two ways and that ambiguous nature likely led to the decision to remove it entirely. First, the words are ironic and not meant to be taken literally. They allude to the Communist system's destruction of individuals for the common good. When all become part of "the masses" it is much easier to sacrifice some of the unnamed for "the greater good," ie, those who "deserve it." The communist system might claim to make things better for the masses, but that price is too high. That seems to me to be Rand's intent, as it is consistent with her other works and her own personal experience with Communism, as she did acknowledge We the Living as the most autobiographical of her novels.
 
Second, it is the more obvious interpretation, the elite over the squallid masses, that rings with inconsistency. In Essays, Rand seemed to acknowledge that she struggled to find the correct words to express her views while working on this text. This line is one example of that struggle, which explains its ultimate removal.
 
PS: No snark as I am overcome with guilt for not responding sooner.


Edited by Savant - 27-Apr-2011 at 8:28pm
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  Quote sixhoursoflucy Quote  Post ReplyReply Direct Link To This Post Posted: 30-Apr-2011 at 8:09pm
Ooh, thanks for the book recommendation, Savant, and for your insightful analysis of the book. That infamous line makes much more sense when read that way.

Apparently there was an Italian film adaptation of this novel made back in 1942 that I now want to see. They showed a clip from it during an Ayn Rand documentary I watched recently -- the scene with Kira telling her family she wants to be an engineer -- and it looks like a good adaptation.
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  Quote Savant Quote  Post ReplyReply Direct Link To This Post Posted: 05-May-2011 at 8:30pm
I didn't know about the movie adaptation. There was, apparently, a play adaption as well that Rand backed but it didn't perform well financially.
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